The Angelus

VOLUME 20, NUMBER 33

The High Altar, Sunday, July 8, 2018 Photo by Sr. Monica Clare, C.S.J.B.

Dr. Hurd plays the first part of the service from the console in the chancel during the summer months.
Photo by Ricardo Gomez

FROM THE RECTOR: PRAYER BOOK NEWS

The good news is that the General Convention opted not to begin the process of replacing the Prayer Book. You can read the adopted resolution here. In addition to the General Convention's Standing Commission on Liturgy and Music, there is now to be a "Task Force on Liturgical and Prayer Book Revision"—and the enabling resolution even gives an abbreviation for it, "TFLPBR." New rites are going to be written. There's going to be a lot of experimentation. The efforts to undermine the use of the Prayer Book and the Prayer Book's explicit Trinitarian theology have been underway for some time now. Our common prayer will be less common than it is now.

I was unable to attend the 2018 priests' conference of the diocese of New York, but I was there in 2016. Bishop Andrew Dietsche addressed the question of the canonical and Prayer Book position of the church only offering communion to the baptized. He estimated that about seventy percent of our congregations were inviting the unbaptized to receive communion. He also said that the priests of our diocese need not worry about ecclesiastical discipline on this issue.

The Collect of the Day is sung by Father Stephen Gerth, celebrant and preacher. Photo by Ricardo Gomez

So, the resolution authorizing the TFLPBR begins with something that is already out of date for our diocese: "Resolved, That this church continue to engage the deep Baptismal and Eucharistic theology and practice of the 1979 Prayer Book." My impression is that the greater part of the Episcopal Church has already become, to use a title of an article by liturgical scholar the Reverend Dr. Lizette Larson-Miller, a church with a "Baptismal Ecclesiology without Baptism" (L. Larson-Miller and W. Knowles, eds., Drenched in Grace [2013], 80-92).

 I know of no other Christian denomination apart from the United Methodist Church in the United States that practices what United Methodists call "open communion." (By the way, Mother Larson-Miller's article on this subject is excellent and to the point.) That said, the most worrisome line in the resolution may be this: "Resolved, That our liturgical revision utilize inclusive and expansive language and imagery for humanity and divinity."

I am encouraged by what the Reverend Matthew Hoxsie Mead, rector of the Parish of Christ the Redeemer, Pelham, who has been one of our diocese's delegates to the General Convention, has written about the working of convention and the resolution on the future of our worship. You can read his post here. I'm very thankful he was part of the delegation of the diocese of New York.

The lessons are read by a member of the congregation.
Photo by Ricardo Gomez

I welcomed the 1979 Prayer Bookand its theological agenda. It took some getting used to, but overall the revision was really good. Yet scholarship has moved on. We know that our eucharistic and ordination rites were, for example, overly influenced by an early text now widely recognized as being not so early or widely reflective of early Christian worship. I'm sure the book can be improved. I hope we have the leaders with the knowledge and the humility to get it right. Stephen Gerth

YOUR PRAYERS ARE ASKED FOR Joban, Stephen, Eugenia, Ptolemy, Sheila, Eloise, Angie, Maxine, Anita, George, Alex, Dora, Marilouise, Dennis, Bob, Abe, Randy, Burt, Mike, Kyle, Greta, Karen, Melissa, May, Heidi, Ridhima, Marissa, Takeem, David, and Sandy; for Horace, Gaylord, Louis, and Edgar, priests; and for all the benefactors and friends of this parish.

Father Jim Pace sang the Gospel. Photo by Ricardo Gomez


GRANT THEM PEACE. . . July 15: 1882 Charles Stone Timson; 1885 Anita Taylor Mills; 1912 Marie Tompkins Spelman; 1979 Curtis Henry Waite; 1986 Peter A. J. McGrane; 1987 Allen C. Satterfield; 1989 Robert Fox Davis.

THE ORDINARY FRIDAYS OF THE YEAR are observed by special acts of discipline and self-denial in commemoration of the Lord's crucifixion.

THIS WEEK AT SAINT MARY'S . . . On Friday, July 13, the Seventy-ninth General Convention of the Episcopal Church finishes its work in Austin, Texas. On Tuesday, July 17, the church will commemorate the life and witness of William White, bishop of Pennsylvania, d. 1836. Bishop White "was the chief architect of the Constitution of the American Episcopal Church and the wise overseer of its life during the first generation of its history. He was the presiding bishop at [the Church's] organizing General Convention in 1789 and again from 1795 until his death" (LFF 2000, 290). Mass will be offered at 12:10 PM . . . Wednesday, July 18, Sung Mass 12:10 PM . . . Thursday, July 19, Mass and Healing Service 12:10 PM . . . Friday, July 20, 6:30 PM, Centering Prayer Group, Atrium, Parish Hall, Second Floor.

Before Mass bread, wine, and water are placed at the Shrine of the Sacred Heart. Just before the procession of the gifts, they are brought to the ushers' table.
Photo by Ricardo Gomez

AROUND THE PARISH . . . On Tuesday, July 17, 2018, 7:00-8:00 PM, Saint Mary's organist and music director David Hurd will play a recital in the Summer Organ Series of Riverside Church. See the church's website for more information. Riverside Church is located at 490 Riverside Drive at 120th Street, just west of Broadway . . . Pledge to keep up with your pledge! During the summer months we sometimes experience cash-flow problems as many friends and members of the parish are away, taking much-needed vacations. We urge all those who made pledges for 2018 to stay current with their pledge payments. We are grateful to all those who continue to support the mission and witness of this parish . . . News from the Episcopal Church's triennial General Convention taking place in Austin, Texas, is available on the website of the Episcopal News Service . . . Sister Laura Katharine, C.S.J.B., returns to the parish from vacation on Friday, July 13 . . . Sister Monica Clare, C.S.J.B., will be on vacation from Saturday, July 14, through Friday, August 3 . . . Father Jim Pace will be on vacation and away from the parish from Thursday, July 19, through Sunday, July 29 . . . Attendance: Last Sunday 179.

The Great Thanksgiving begins, "The Lord be with you."  Photo by Ricardo Gomez

OUTREACH AT SAINT MARY'S . . . There will not be a Drop-in Day during the month of August. During that time, The Homeless Ministry Team will be planning for the 2018-19 season, saying goodbye to Sister Monica Clare, and making preparations for the arrival of Brother Damien and Brother Thomas. Donations and volunteers are needed for our next Drop-in Day on Wednesday, September 26, and for the many requests for assistance between Drop-in Days. We are in particular need of basic items such as the following: packs of new underwear in various sizes for both men and women; slacks for both men and women, including jeans, chinos, khakis, etc.; packs of new socks, white and black; rainwear; knapsacks; and toiletry articles . . . Please contact Sister Monica Clare if you would like to volunteer for this important ministry or if you would like to make a donation . . . We continue to receive nonperishable food items for our outreach partner, Saint Clement's Food Pantry. Please place those items in the basket near the ushers' table at the Forty-sixth Street entrance to the church.

Ushers at the Solemn Mass were Steve Potanovic (L), Mary Robison, Sharon Stewart, and Dexter Baksh
Photo by Ricardo Gomez

ABOUT THE MUSIC . . . Ruth Cunningham, soprano, will be the cantor at the Solemn Mass on Sunday morning. During the ministration of Communion she will sing O viridissima virga by Hildegard of Bingen (1098-1179) and will accompany herself on a harp of medieval design. Musicologist Timothy Dickey writes, "Hildegard's poem O viridissima virga exudes images comparing greening nature, and its healing effects on humanity, to Mary. Hildegard's musical form is somewhat vague, but apparently strophic: successive verses all begin with melodic phrases which somehow emphasize the modal tonic pitch of G (Hypomixolydian) and the third above it. The chant proceeds in a neumatic fashion (with relatively few melismas) and remains (for her) rather largely restrained within the plagal modal octave. Yet this musically restrained character clearly maintains its close modal focus to the listeners' ears and allows her luminous text to blossom above the ever-present tonic foundation." Ms. Cunningham will also be improvising the Alleluia and Communion propers of the Mass.

The organ voluntaries on Sunday are compositions by David Hurd, organist and music director here at Saint Mary's. Fantasia on Wondrous Love, played for the prelude today, was composed for a collection of organ pieces issued in 2016 by Selah Publications in commemoration of the fiftieth anniversary of the Association of Anglican Musicians. The three stanzas set to this well-known Southern Harmony melody in The Hymnal 1982 (439) provided the inspiration for the distinct sections of this single-movement organ piece. The title stanza, "What wondrous love is this," is represented by a gently inquisitive trio with the melody played in alto register on the pedals. The second stanza, "To God and to the Lamb I will sing," is expressed in a bolder, angular style, with melody in the tenor. The third, "And when from death I'm free," shifts to a more reflective mood with the melody in canon at the fourth. The canonic voices are played in the alto register by the feet and left hand, amidst flowing string celeste accompaniment. A brief coda in which a bit of the opening "Wondrous love" trio is heard again concludes the piece. Toccata, played for the postlude today, was composed in 1991 for the brilliant young organist, Gerald Morton, who premiered it at New York's Riverside Church on July 16, 1991, in what very sadly was to be his last major public recital. Toccata features a pentatonic figure which is systematically repeated in different octaves and transposed to different keys to provide a backdrop for the overlay of additional thematic material and accompaniment patterns. One can recognize the elements of sonata form with clearly defined exposition, development, and recapitulation sections. The well-known organ toccatas of Charles-Marie Widor (Symphony V) and Maurice Duruflé (Suite, Opus 5) provided considerable inspiration for the present piece. —David Hurd

The Retiring Procession Photo by Ricardo Gomez

LOOKING AHEAD . . . Monday, July 23, Saint Mary Magdalene (transferred). Mass will be offered at 12:10 PM and 6:20 PM . . . Wednesday, July 25, Saint James the Apostle. Mass will be offered at 12:10 PM and 6:20 PM . . . Monday, August 6, The Transfiguration of Our Lord Jesus Christ . . . Tuesday, August 14, The Eve of the Assumption of the Blessed Virgin Mary . . . Wednesday, August 15, The Assumption of the Blessed Virgin Mary . . . Friday, August 24, Saint Bartholomew the Apostle . . . Monday, September 3, Labor Day.

TIMES SQUARE AND BEYOND . . . Times Square, Broadway, between Forty-sixth and Forty-seventh Streets, July 11-September 5, 2018, "Wake, commissioned by Times Square Arts, is a twenty-four-foot-tall installation [by American conceptual artist Mel Chin] that evokes the hull of a shipwreck crossed with the skeletal remains of a marine mammal. The structure is linked with a carved, twenty-one-foot tall animatronic female sculpture, accurately derived from a figurehead of the opera star Jenny Lind that was once mounted on the nineteenth-century clipper ship, the USS Nightingale. The artwork calls forth both the city's triumphs and the complicated layers of its past. New York City has become a center of trade, commerce, finance, entertainment, and tourism, but also has a complex history that included the shipping (by the USS Nightingale, among others) of guns and slaves, that augmented this burgeoning city's economy. The expanding past economies are prologue to our current environmental dilemma. The physical presence of Wake will serve as an entry point into Unmoored, an ambitious twenty-first-century mixed-reality public art project that will be a draw for all ages and backgrounds" . . . On the High Line, West Street at Sixteenth Street, Saturday, July 14, 2018, 10:00 AM-4:00 PM, the High Line Honey Harvest Event. From the park's website, "A free community event on the High Line. The Chelsea Market Passage [the stretch of the High Line park that cuts through the western side of the Chelsea Market] will be buzzing [sic] with activity, including an educational presentation by Andrew's Honey, honey-tasting stations, and walls of indigenous flowers, just to name a few. High Line Honey is a year-long initiative to highlight the vital role that bees play in sustaining the planet's food supply and ecosystems. The initiative will produce between 100 to 150 pounds of honey from rooftop beehives in the Chelsea neighborhood. The harvested honey will be sold at the High Line Honey Harvest Event, with 100% of the proceeds from honey sales benefitting the horticulture and sustainable maintenance of the park."

CLICK HERE for this week's schedule.

CLICK HERE for the full parish calendar.